Date of birth | 04 June 1981 |
Nationality | Hungarian |
Work experience
2012 – 2018 | Savaria Baroque Orchestra Capella Leopoldina Pandolfis Consort L’Eclisse Los Bilbilicos – Sephardic Music Ensemble Miszla Baroque Early Music Summer Academy 2015 (basso continuo accompaniment) Talenti Vulcanici della Pietà de’Turchini Trigonale 2016 – Miszla Baroque Orchestra (orchestra in residence) Panda Electroacoustic |
2006 – 2007 | Orquestra de l’Acadèmia del Gran Teatre del Liceu, Barcelona (first conductor: Guerassim Voronkov) |
1999 – 2004 | Dohnányi Ernő Symphony Orchestra (first conductor: Gábor Hollerung) |
Teaching experience
2016 – | Early childhood music education – Zenebölcsi |
2008 – 2009 | Budapest Contemporary Dance Academy, professor of violoncello |
Theatre works
Date and Place | Program | Partners |
2011 |
‘Completo’ (choreography on Capriccio no.2 by Giuseppe Barone dall’Abaco) | Hanna Tripolt (dancer, choreographer) |
2009/2010 |
‘All About Me – cabaret spiritual (ispired by Pedro Almodóvar)’ Improvisations and incidental music for violoncello solo | Viktória Jaross (stage director) |
2002 – 2004 |
Improvisations and incidental music for violoncello solo for the plays ‘Algebra’ (premier: 2002-10-23) and ‘Protokoll’ (premier: 2003-8-20) | Artéria Színházi Társulat, György Baráthy (stage director) |
2002 – 2003 |
‘Below Forgotten Moons’ music for cello and piano composed by Edvard Grieg and Norwegian literaure (own compilation) | Judith Tóth (piano) |
1999 – 2001 |
Improvisations and incidental music for violoncello solo for the productions of the University Theater, Budapest | |
1999 – 2000 |
Improvisations and incidental music for violoncello solo for the play ‘Golden Bird’ based on the tale of János Pilinszky | András Lénárt (stage director) |
Masterclasses / Workshops
2017 | Music Therapy for Self-Development Eötvös Loránd University Bárczi Gusztáv Faculty of Special Needs Education |
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2014 | Classical Chamber Music with Fortepiano Professor: Kristian Bezuidenhout Schola Cantorum Basiliensis, Switzerland “Vital Spark II – The earliest Italian songs with fortepiano accompaniment” “Alessandro Stradella – Seven new cantatas” |
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2013 | “Mozart’s Wien” Professor: Sigiswald Kuijken Schola Cantorum Basiliensis, Switzerland “Vital Spark – Joseph Haydn in London and William Jackson of Exeter” |
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2011 |
“Vivaldimania” Chamber Music Masterclass “Haydntage” Chamber Music Masterclass Baroque Cello and Chamber Music Masterclass |
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2010 |
Baroque Cello Masterclass Early Music Masterclass |
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2008 |
Violoncello Masterclass |
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2000 – 2001 |
Violoncello and Chamber Music Masterclass |
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1999 |
Chamber Music Masterclass |
Academic studies
2012 – 2014 | Schola Cantorum Basiliensis, Basel, Switzerland Specialized Musical Performance – Early Music – MA degree Professor: Christophe Coin, Petr Skalka |
2010 – 2012 | Konservatorium Wien Privatuniversität, Austria Faculty of Early Music, Baroque Cello Professor: Jörg Zwicker |
2004 – 2008 | “F. Venezze” Conservatory, Rovigo, Italy Faculty of Violoncello – MA degree Professor: Luca Simoncini |
1999 – 2004 | “Liszt Ferenc” Academy of Music, Budapest, Hungary Faculty of Violoncello – BA degree Professor: György Déri |
Competitions
2011 |
“La Stravaganza” Competition of Baroque Chamber Music, Cluj-Napoca, Romania, shared first prize |
Foreign Languages
Italian, English, Spanish, German